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The Last Quest of Gilgamesh (The Gilgamesh Trilogy), by Ludmila Zeman
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Review
The Gilgamesh Trilogy:“A powerful version of the Gilgamesh epic…a stirring and sad tale.”–The New Yorker
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From the Inside Flap
In his final quest, Gilgamesh, still mourning the death of his dear friend Enkidu, sets out to find the key to immortality. His journey is perilous. He must fight ferocious serpents and wild lions. He travels through bitterly cold caves, across scorching deserts, and over the fatal waters of the Sea of Death. Finally he arrives at the palace of Utnapishtim, the only human who knows the secret of immortality. Utnapishtim sets Gilgamesh a test to stay away for six days and seven nights, but Gilgamesh fails. His last hope, a flower of eternal youth, is eaten by the goddess Ishtar, who exacts her revenge. Finally, Enkidu comes from the underworld to show Gilgamesh true immortality: the king will be remembered for his good deeds, courage, and love for his people.
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Product details
Age Range: 7 - 9 years
Grade Level: 2 - 4
Series: The Gilgamesh Trilogy (Book 3)
Paperback: 24 pages
Publisher: Tundra Books; Reprint edition (April 25, 1998)
Language: English
ISBN-10: 0887763804
ISBN-13: 978-0887763809
Product Dimensions:
10.3 x 0.2 x 11.4 inches
Shipping Weight: 11.2 ounces (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
55 customer reviews
Amazon Best Sellers Rank:
#196,673 in Books (See Top 100 in Books)
First, a review of this book, then a comment about the series.We ran into this book about twelve years ago. We were doing a homeschool unit on the Sumerians, and this was a very welcome addition to our curriculum. The kids loved the beautiful pictures, well-researched detail, and delightful story. At the time I thought "too bad this artist doesn't do the rest of the epic".Foolish us -- it would have taken just a little digging to find that she did! So don't stop here, get the rest of the series. This is a masterpiece of both art and boiling a long story down to its essence.
The artwork was lovely. The language was good.It's just such a pity that it wasn't actually the story of Gilgamesh. I purchased it to share this story with my children as part of our studies in literature and history. After pre-reading it, I won't even bother reading it to them. I haven't got time to un-teach. It's simply not Gilgamesh. They'd be better off watching that Star Trek episode than this drivel. They'd come to a more actual understanding of the myth-cycle.
Re "Gilgamesh the King": My long attention span 3 year old is smitten with this book and has requested it twice a day for a week. She loves the illustrations which are charming and not dark. This volume ends on a happy note -- good transforms evil thru the power of generosity and love. If this doesn't sound like the epic as you remember it, well, technically it is not, but the liberties the author has taken with the story make for better reading for the preschool set! I think age appropriate versions are an excellent way to introduce materials which can become increasingly complex over time. If you are aiming for a telling which is close to the original, this is not the book for you. THIS volume succeeds in reaching listeners who can tolerate a couple paragraphs of text per page with an uplifting message and visual imagry consistent w the art of the region. Quite an accomplishment!
Age Recommendation: 8 - up; Around eight children start to develop a taste in historical books, such as legends. Gilgamesh is a not as well-known epic about the Mesopotamia region. The picture book is also part of a three book series.Summary: Gilgamesh was sent by the Sun God to rule over the city of Uruk. He was part god, and part man. He did not have any friends, and was a cruel king. He decided to build a wall around his city. The people in his city originally supported his wall, but eventually grew tired and frustrated. His people prayed to the Sun God, and the sun god sent Enkidu. Enkidu lived with the animals, and was a good man. Enkidu prevented a man from killing an animal with his god-like strength. The man told Gilgamesh about Enkidu's strength, and Gilgamesh was furious. Gilgamesh sends a beautiful singer to the woods to lure Enkidu to the city. Gilgamesh wanted to kill him in front of the city to reinforce his reputation. The beautiful singer and Enkidu fell in love. Enkidu left the forest and his animal friends, and went to the city to challenge Gilgamesh. Gilgamesh and En kidu fought, but were equal in strength. Gilgamesh tripped, and would have died if Enkidu did not save him. After Enkidu saved Gilgamesh, they became friends. Once Gilgamesh had a friend, he stopped work on the wall, and there was peace in the city.Critical Review: Gilgamesh the King is written and illustrated by Ludmila Zeman. Zeman begins the picture book in the expected, "Long ago in the land of... " which sets the stage for a traditional folktale (p. 1). The illustrations also support the folktale, by using `ancient' looking images. The colors also look gold based, which makes the images look older. The images bring the words to life. For example, when the story is talking about all the men in the city building a giant wall around the city. You can see the magnitude of people, and the height of the huge wall (p. 3-4). Without any words, it would still be very easy to tell the epic of Gilgamesh based on the pictures. Although this story is part of a trilogy, it can stand alone. It has closure, and tells a complete story. Also, some historical information about the epic of Gilgamesh is included after the story. I appreciate the use of rhetorical questions throughout the text. For example, after Enkidu sees a man killing an animal, he asks himself, "Why would anyone want to do that?" (p. 6). The text includes both more complex sentences. For example, "The earth shook and lightning flashed across the sky, as if the gods themselves were fighting for control of the world" (p. 16). The text also includes short, simple sentences. For example, "He was no longer alone. He had found a friend" (p. 19). The longer sentences tell an elaborate story, while the shorter sentences focus on the meaning of the sentences. The book kept me engaged as a college student, and I think an intermediate reader would definitely be interested in the historical significance of one of the first epics ever written down, and the action of the folktale itself.
This is the third book in the trilogy. It is beautifully illustrated. I used it in school after showing a video on great literature in which the author explains her motivation for writting the books.
Using for school. My 3rd grader was able to see, understand and describe the comparison and contrast to the Biblical stories and see the difference between man made versions and the God-given true version of historical events.
This book was going to be a birthday present for my grandson, and it is a beautiful and meaningful book with gorgeous illustrations, a retelling of one of humankind's oldest stories. But the book arrived in a thin flexible package, which allowed the book, a paperback, to crease in several places. It is not present quality.
Bought for 5- and 7-year old boys who are studying Sumerian civilization, and enjoyed immensely by both. The writing is evocative but not too course, and the last page of each of this series has an overview of historical and thematic aspects of the story and time that were very useful for home study. We used these in concert with an online interactive archaeological excavation program out of the University of Chicago, and I think the fact that the illustrations evoked the kinds of artifacts the kids found really made concrete that this story was not just like the other fictions books my kids have, but a story that functions as a window into a long-gone time. We also really enjoyed discussing how themes in this story (such as the flood and the serpent and immortality) would come up later, both in Greek mythology and in Christian mythology.Altogether a fantastical account of an already interesting story with evocative illustrations. The only negative is that I wish something like this existed for general Sumerian mythology, as the author is adept at referring to otherwise non-child-friendly themes in ways that suggest but do not elaborate.
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